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PAX on Earth

Those of you who follow my blog may or may not know that I set myself a project over the summer.

Right at the beginning of the summer, I witnessed a rather horrific occurrence outside my window. I wasn’t at all sure how to respond, or indeed if I could respond, so I decided to do what I know I could do well – make paintings. With the advent of the summer holidays, I felt pretty sure that there were going to be lots of kids hanging around with nothing to do, pretty bored, so I hit upon an idea.

There’s a website of artists’ work called Free Art Friday. Basically the idea is that you leave out a piece of work on the street on a Friday, for anyone to just pick up and take home to put on their wall at no cost. It’s a great idea on many levels – art for the masses, etc., So I decided, where time permitted, to leave some work out on the waste ground outside my flat every Friday. In the end, I made 4 works out of old boards and any other stuff I could find that had been left out on our estate as rubbish.

PAX Trinity. Put out Friday. Various kids came and looked and commented all good comments. They were shuffled about from time to time, and finally disappeared the following Wednesday.

Ethiopian PAX. Put out on the Friday. Mostly stayed where it was for the weekend. On the following Monday night, it was attacked by two kids with bricks, and then was thrown about for the rest of the week. It’s made from pretty rigid materials so, it wasn’t really easy to break up, so it floated around the estate for most of the summer.



Evolution of PAX This lasted most of the weekend and I overheard lots of good comments, then it disappeared for couple of days before it re-appeared in small bits later in the week.

PAX Target. This lasted the shortest amount of time. It was put out at 6am on the Friday, and by the time I came home at 4pm it was also smashed up.

So, what did I learn from this? If you’re not careful, something like this can just re-inforce your worst fears and beliefs about a situation or a group of people. Our media has spent a lot of time demonising kids, but in a situation where funding for youth clubs have been cut to nothing, kids are bored and having options for expressing themselves reduced by the minute.

It’s a sad state of affairs that for some, they feel that the only responses open to them are violence and destruction, but it’s important not to forget that a lot of good comments were made by many kids, and people did come and sit and just look.

The subject matter of PAX or peace was a deliberate choice, and was a prayer of hope from me. It was helpful to think that in some way I am able to contribute to my environment, and frankly I’d rather they hurled rocks at my artwork instead of cars, windows or people (all of which I have witnessed on occasion). But I shudder to think what will happen when these people grow up and find their options limited further still. This generation is not being looked after properly, and the consequences may well prove disastrous. As moot looks to move to an area that has its own share of socio-economic deprivation, I am still pondering the possible implications, if any, and whether creatively, we can model something positive and Christian for people.

POSTED 18.09.08 BY: admin | Comments (7)

7 Responses to “PAX on Earth”

  1. On September 15th, 2008 at 10:13 am Gary said:

    Mike I think what you have done here is a profoundly moving, brave, generous and deeply compassionate thing.. I’m reeling really from all the emotional responses your post provoked; horror, warmth, compassion, pity, despair, anger, … honestly, this is very challenging stuff.I’m amazed at your generosity at putting in time and effort and skill into art to then witness it being smashed to pieces. I’m appalled, but also humbly reminded of my occasional teenage desire to ‘smash it up’. Why are these responses so limited? Is it compassionate to say there is little stimulation or is it patronising to suggest that the only thing young people can do with art is to break it? Most profoundly it’s this impressively counter-cultural activity of creating art that thrown sacrificially into an ungrateful audience. But this isn’t throwing pearls before swine, (a line that always troubles me); but instead seems to be an almost prophetic action, of forcing some glint/seedling of naked humanity into a ferment of bravado and boredom. Maybe I should correct myself from saying ‘ungrateful audience’ to instead suggesting and audience that simply doesn’t know what to do with this stuff. I’m struck by how you overheard positive comments, hints that people might appreciate the work or might think, or be touched for a moment, and yet still the end result is to destroy. I wonder about the repercussions of this might be in the hearts and minds of these young people, or the lives of others who live nearby. I cannot imagine in what way fully, but I am convinced you have indeed contributed something into your environment – and it seems to have been something dangerously subversive.I’m astonished, impressed and feel humbled. Well done and thanksPS I wonder what the response would have been if you had indeed gone outside and painted your ‘thingy’…?

  2. On September 15th, 2008 at 11:13 am Michael Radcliffe said:

    LOLProbably a mixture of horror and awe, followed by the sound of social services.Thanks for your comments – really touched. I think there’s something interesting in the idea that no matter how much they smashed stuff, there was always going to be a new piece of work the following week, and I wouldn’t want them to think that I’d stopped because they’d “won” in some way. Really, I’ve just run out of time to make any more, and wanted to call the thing to a halt at the end of the summer holidays. I have to say, it was mostly pre-teens who did the smashing – between about 11-15 years old, as far as I could tell.Also, I think you’re right about the patronising/compassion thing. It’s tempting to excuse their behaviour as limited options, but at the end of the day, none of us know if they really don’t see any other option, or actually they only believe that they have limited options, or maybe they’ve just yet to find other responses. Maybe seeing the works can help them to open up a door to new possibilities. Who knows.I’ve also encountered some poeple who similarly assume that I have every option because I’m middle class and educated – a spurious assumption. Actually I’m too nervous and intimidated to actually try and communicate anything more that art, or to just close the curtains and ignore.By the time I got to PAX Target, the idea of making it a great big target was pretty much a given. At the very least it may have helped them to improve their aim.;-P

  3. On September 15th, 2008 at 4:37 pm Ian said:

    MikeWhat Gary has said says really I would want to say too. It was a very good thing to do, and a really creative way to re:imagine and encourage spirituality and common humanity. Well done! I really like some of the images.You have challenged me how art can reach beyond words and ideology!Thanks for sharing this stuffIan X

  4. On September 16th, 2008 at 9:16 am Gary said:

    Couldn’t help but think of this when i read about Damien Hirst, (whose work i really like – i must emphasise), selling one of his latest pieces directly through Sotherbys at £70m. He said Galleries were ‘too elitist’….Yeah of course, whereas selling your work through an auction at £70m is down with the kids, innit.(I sympathise of course – he has a building project to pay for, as do I, and you have to try hard to raise those funds..). And of course Art has value… but really? (i think i’m more tickled than anything by saying this whole thing about being elitist…I’m imagining Mike’s local kids kicking round a Damien Hirst…

  5. On September 19th, 2008 at 12:29 pm Andrew said:

    Beautiful, vulnerable, engaging, transient… … it’s difficult to add to Gary’s lucid comments. A great and insightful thing to have done – simple on one level but of profound implication on others. A good example of ‘presence’. Ta

  6. On September 20th, 2008 at 6:54 pm Suse said:

    Hi Mike, Susie here, dropping in after reading Maggie Dawn’s blog. Interesting idea. I wondered why you decided to use the word pax rather than peace though? Might peace have meant more to the local kids, do you think? By the way, where do you live?? It sounds kind of mean. p.s Didn’t see you at GB this year

  7. On October 8th, 2008 at 3:48 pm Sam said:

    Hi mate, I have just made time to sit down and read everything about your pieces of work on the theme of pax. I thought that it was amazing what you did and really touched me (no pun intended!) perhaps because I am fairly close to that age group, but also because it seems that politicians often seem to miss a trick when they say they want to reduce youth crime. I think if they spent half as much money on youth centers and services for people of that age then they would reduce crime anyway. Enough of my ramblings, I think your art was absolutely amazing.See you soon.